![]() Tax is Mia’s and, as such, he is just what she wants. This is the thing about a rape fantasy–it is someone’s fantasy. Mia falls for Tax–or at least the kind of sex he offers–almost immediately. ![]() He initially writes himself a pass for all his criminal behavior but, as he falls for Mia, he begins to questions his actions. ![]() But, as dark as this is, it is a romance and so, like all bad boy heroes, there is more to Tax than it seems. He’s a killer and an asshole and, for the first half of the book, watching Mia put herself in his hands is horrifying. Tax is a bad guy–there is no getting around this. Tax attacks Mia, they have sex–is it rape? I don’t really think so but it’s iffy–and, afterwards, neither of them can forget the other. Completely coincidentally, he’s determined to destroy Mia–and I do mean destroy her–as revenge for a horror Tax and his family endured fourteen years earlier for which he blames Mia. Tax, the man who attacks Mia, is not what she signed up for. ![]() Mia can barely believe she signed up for such a thing and yet she longs for it all the same. ![]() There’s a safe word, and the promise of condoms and disease-free assailants. There’s a site a woman can go to where she enters her rape fantasy and later, at some time and place she can’t predict, a man will attack and take her. Mia is a good girl whose life is so uninteresting to her that she, in a rash act, hires someone to rape her. I can’t imagine ever wanting to read it again and yet, I found myself pulled into the utterly fucked up relationship it portrays. ![]()
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